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Daology: Symmetry
     
         
 

Symmetry        

(Under construction)


Definition 
Orderly, mutually corresponding arrangement of various parts of a body, producing a proportionate, balanced form. 

Symmetry is a fundamental organizing principle in nature and in culture. The analysis of symmetry allows for understanding the organization of a pattern, and provides a means for determining both invariance and change. 
  A pattern, whether in nature or art, relies upon three characteristics: a  unit, repetition, and a system of organization.
In art, symmetry can be considered as a  geometrical duality.
In theoretical physics, symmetry is sort of complementarity.
The principle of symmetry is of great importance in the fields of biology, mineralogy, physics and mathematics.
Related concepts: Duality, Daology, Complementarity, Parity, Ying Yang Theory,


Duality in Symmetry: 

       Asymmetry: 
Symmetry is  recongnized as the  symmetry   because  it often relies upon asymmetry. 
Asymmetry is both the absence of symmetry, and a  fundamental basis for symmetry. Symmetry analysis may result in the     identification of a fundamental region that is the smallest element required to  explain the repetition that forms a pattern. The fundamental region is    asymmetrical. 
 

    Symmetry Breaking: 
Symmetry-breaking exists where a symmetry is expected,  but that expectation is not met.
In nature, symmetry is imperfect, although mathematicians may treat it as an ideal. In art,  too, it  seems that the approximation of symmetry, rather than its precision, teases the mind as it pleases the eye. 

   
 
 
 
 
 
 
 
 
 
 

In mineralogy, laws of symmetry apply to the angular structure of crystals. All classes of crystal are divided into six systems that are based on the length of their axes and other details of symmetry. See Crystal; Metallography.


In biology, the regular distribution of various parts of an animal's body on two opposite sides of a linear axis, or a median plane, is known as bilateral symmetry. The proportional arrangement of similar parts of a body around a central axis, as in the case of jellyfish or starfish, is known as radial symmetry. The bodies of protozoans, such as those of the order Radiolaria, which have a round form about a central point or nucleus, are said to have a spherical symmetry.


Physics: In physics, a system is said to exhibit symmetry if it remains unchanged in the course of operations such as mirror reversal, reversal in the direction of time, and space-time translation. Many physical systems obey such symmetries, to which the conservation laws of physics are also related. This relationship has come to be of particular importance in particle physics, where certain symmetries called internal symmetries are observed. Such symmetries exist in the mathematical "space" of that realm and underlie the conservation of such quantities as charge, parity, baryon and lepton number, and total strangeness, even as certain particles are substituted for one another. In current theoretical physics, however, such symmetries are now known to be only approximate. Except for baryon and lepton number, that is, they are violated in their physical manifestations. When internal symmetries do not operate the same way but instead can be different at each point in space-time, they are called gauge symmetries. Theorists currently hope to reduce all such symmetries to gauge symmetries in their effort to develop a grand unification theory that can incorporate all of the fundamental interactions of matter


Symmetry in physics, the concept that particles such as atoms and molecules remain unchanged in properties by symmetry “operations.” From the earliest days of natural philosophy (Pythagoras in the 6th century BC), symmetry has furnished insight into the laws of physics and the nature of the cosmos. The two outstanding theoretical achievements of the 20th century, relativity and quantum theory, involve notions of symmetry in a fundamental way.

The application of symmetry to physics leads to the important conclusion that certain physical laws, particularly conservation laws, are unaffected by symmetry operations on the geometric coordinates of the particles concerned, including time, when it is considered as a fourth dimension; i.e., the laws remain valid at all places and times in the universe. In particle physics, considerations of symmetry can be used to derive conservation laws and to determine which particle interactions can take place and which cannot (the latter are said to be forbidden). Symmetry also has applications in many other areas of physics and chemistry—for example, in relativity and quantum theory, crystallography, and spectroscopy. Crystals and molecules may indeed be described in terms of the number and type of symmetry operations that can be performed on them. The quantitative discussion of symmetry is called group theory.

Valid symmetry operations are those that can be performed without changing the appearance of an object. The number and type of such operations depends on the geometry of the object to which the operations are applied. The meaning and variety of symmetry operations may be illustrated by considering a square lying on a table. For the square, valid operations are (1) rotation about its centre through 90, 180, 270, or 360 degrees, (2) reflection through mirror planes perpendicular to the table and running either through any two opposite corners of the square or through the midpoints of any two opposing sides, and (3) reflection through a mirror plane in the plane of the table. There are therefore nine symmetry operations that yield a result indistinguishable from the original square. A circle would be said to have higher symmetry because, for example, it could be rotated through an infinite number of angles (not just multiples of 90 degrees) to give an identical circle.

Subatomic particles have various properties and are affected by certain forces that exhibit symmetry. An important property that gives rise to a conservation law is parity. In quantum mechanics all elementary particles and atoms may be described in terms of a wave equation. If this wave equation remains identical after simultaneous reflection of all spatial coordinates of the particle through the origin of the coordinate system, then it is said to have even parity. If such simultaneous reflection results in a wave equation that differs from the original wave equation only in sign, then the particle is said to have odd parity. The overall parity of a collection of particles, such as a molecule, is found to be unchanged with time during physical processes and reactions; this fact is expressed as the law of conservation of parity. At the subatomic level, however, parity is not conserved in reactions, owing to the weak nuclear force responsible for radioactivity.

Elementary particles are also said to have internal symmetry; these symmetries are useful in classifying particles and in leading to selection rules. Such an internal symmetry is baryon number, which is a property of a class of particles called hadrons. Hadrons with a baryon number of zero are called mesons, those with a number of +1 are baryons. By symmetry there exists another class of particles with a baryon number of -1; these are called antibaryons. Baryon number is conserved during nuclear interactions.
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Mathematical  Symmetry

In geometry, symmetry is a feature of certain plane and solid shapes. So-called symmetry operations are those mathematical transformations that produce a figure identical to the original or a mirror image of the original figure. Symmetry operations are defined with respect to a given point (center of symmetry), line (axis of symmetry), and plane (plane of symmetry).

 The Four Basic Symmetries

POSSIBILITIES FOR THE COMPOSITION of a design are limitless, and may rely upon choices. But possibilities for the repetition of that design, whether symmetrical or asymmetrical, are limited by the laws of pattern formation and are subject to the constraints of symmetry.

IN ALL PATTERNS there are four basic symmetry operations that may be performed upon a fundamental region, design or motif. Mathematicians call these rigid motions because they suggest movements without distortion of size or shape around a point, along or across a line, or to cover a plane.

HERE, THE LETTER F (and the blank space around it) is taken as our fundamental region to demonstrate the four basic symmetry operations or rigid motions:

translation
rigid motion with repetition
along a line

reflection
rigid motion with repetition
across a line (axis)

glide reflection
rigid motion with reflected
repetition along a line

rotation
rigid motion with repetition
around a point

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IN RUG-WEAVING, the repetition of a design to form a pattern is accomplished by counting and repeating sequences of knots. The basic symmetries in carpets are thus effected knot by knot.

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Border Patterns


IN CARPETS, BORDER PATTERNS result when any or several of the basic symmetries are repeated in one direction. The constraints of symmetry are such that there are seven (7) possible combinations:
 

 translation

 horizontal
reflection

 vertical
reflection

 reflection + 
reflection

 glide
reflection

 rotation

 reflection + 
glide reflection

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Field Patterns
FIELD PATTERNS result when symmetrical repetition takes place in two directions, thus forming a two-dimensional pattern that covers the plane. There are seventeen (17) systems which mathematicians classify as symmetry groups:
 

 translations

 reflections

 reflections +
reflections

 glide
reflections

 reflections +
glide reflections

 rotations (2)

 reflections +
rotations (2)

 rotations (2) +
glide reflections

 rotations (2) +
reflections + reflections

 rotations (4)

 reflections +
rotations (4)

 rotations (4) +
reflections

 rotations (3)

 reflections +
rotations (3)

 rotations (3) +
reflections

 rotations (6)

 reflections +
rotations (6)


Grids and Tessellations


THE EASIEST WAY TO ANALYZE a pattern is to locate points of rotation, and lines of symmetry. Why? Because the rigid motions require centers of rotation and axes of repetition or reflection for symmetry to be present.

WHAT IS AN AXIS? An axis is a visible or implied line that is vertical, horizontal, or diagonal, along which designs are repeated or reflected to form patterns.

WHAT IS A GRID? A grid is a visible or implied series of points, or axes that intersect. Grids underly the structure of all two-dimensional patterns.

 square grid

 triangular grid

 hexagonal grid

 rectangular grid

 rhomboid grid

 oblique grid (square)

Grids are usually based on regular polygons: squares, equilateral triangles, and hexagons. Or they can be based on rectangles, parallelograms and rhomboids.

THE ARRANGEMENT OF POLYGONS that forms a grid is called a tessellation. Other shapes may also tessellate.

WHAT IS A TESSELLATION? A tessellation is a pattern formed by the repetition of a single unit or shape that, when repeated, fills the plane with no gaps and no overlaps. Familiar examples of tessellations are the patterns formed by paving stones or bricks, and cross-sections of beehives.

Tessellations are not typical of Oriental carpets except as visible grid structures. Although they often appear in minor borders, only rarely are tessellations used as field patterns.
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Web stis for Symmetry
here for the encyclopedia at britannica.com
britannica.com:
http://www.britannica.com/search?query=symmetry

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Symmetry Studies Bibliography

     Budden, F.J.
        1972. The Fascination of Groups. Cambridge University Press, Cambridge and New York.
    Coxeter, H.S.M.
        1969. Introduction to Geometry. John Wiley & Sons, New York.
    Drain, Dena Dale and Ira Block
        1991. "Symmetry Analysis Applied to Textile Design," Ars Textrina, vol. 16, pp. 157 - 175.
    Elliott, Verde
        1990. The Seventeen Pattern Types: A Study of Repeat Pattern in Two Dimensions. Emerald
        Press, Hendersonville, N.C.
    Emmer, Michele, ed.
        1993. The Visual Mind: Art and Mathematics. The MIT Press, Cambridge, MA and London.
    Field, Michael and Martin Golubitsky
        1992. Symmetry in Chaos: A Search for Pattern in Mathematics, Art, and Nature. Oxford
        University Press, Oxford, New York, and Tokyo.
    Grunbaum, Branko and G.C. Shepherd
        1986. Tilings and Patterns: An Introduction. W.H. Freeman and Company, New York.
    Hahn, W.
        1995. Symmetry as a Developmental Principle in Nature and Art. World Scientific.
    Hargittai, I. ed.
        1986. Symmetry: Unifying Human Understanding. Pergamon, New York.
        1989. Symmetry 2: Unifying Human Understanding. Pergamon, New York.
    Hargittai, Istvan and Magdolna Hargittai
        1994. Symmetry: A Unifying Concept. Shelter Publications, Bolinas, CA.
    Heilbronner, Edgar and Jack D. Dunitz
        1993. Reflections on Symmetry in Chemistry...and Elsewhere. VCH Publishers, NY.
    Henry, N.F.M. and K. Lonsdale
        1952. International Tables for X-Ray Crystallography, vol. 1, Kynoch Press, Birmingham,
        England.
    Kappraff, Jay
        1991. Connections: The Geometric Bridge between Art and Science. McGraw-Hill, New
        York. [pp.202-207 on Islamic art, mathematics, and spirituality].
    Loeb, Arthur L.
        1976. Color and Symmetry. John Wiley, New York. Repr. Krieger.
        1992. Concepts and Images: Visual Mathematics. Birkhaueser.
    Martin, G.E.
        1982. Transformational Geometry: An Introduction to Symmetry. Springer-Verlag, NY.
    Polya, G.
        1924. "Uber die Analogie der kristallsymmetrie in der Ebene," Zeitschrift fur Kristallographie,
        60, pp. 278-282.
    Rosen, Joe
        1975. Symmetry Discovered. Cambridge University Press, Cambridge.
        1995. Symmetry in Science: An Introduction to the General Theory. Springer-Verlag, New
        York, Berlin, Heidelberg, London, Paris, Tokyo, Hong Kong, Barcelona, Budapest.
    Schattschneider, Doris
        1978. "The Plane Symmetry Groups: Their Recognition and Notation," The American
        Mathematical Monthly, vol. 85, June/July, pp. 439 - 450.
        1990. Visions of Symmetry: Notebooks, Periodic Drawings, and Related Works of M.C.
        Escher, W.H. Freeman, New York.
    Stevens, Peter S.
        1981. Handbook of Regular Patterns: An Introduction to Symmetry in Two Dimensions, The
        MIT Press, Cambridge, Massachusetts and London.
        1974. Patterns in Nature. Little, Brown & Company, Boston.
    Walker, Trevor and Richard Padwick
        1981. Pattern: Its Structure and Geometry. Ceolfrith Press, Sunderland [1977].
    Washburn, Dorothy K. and Donald W. Crowe
        1988. Symmetries of Culture: Theory and Practice of Plane Pattern Analysis, University of
        Washington Press, Seattle and London.
 
 

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Plane Symmetry in Islamic Art
                                    Bibliography
 
 

    Abas, Syed Jan and Amer Shaker Salman
        1995. Symmetries of Islamic Geometrical Patterns. World Scientific, Singapore.
    Bier, Carol
        1992. "Elements of Plane Symmetry in Oriental Carpets," The Textile Museum Journal, vol. 31,
        pp. 53-70.
    Bixler, Harry
        1980. A Group Theoretic Analysis of Symmetry in Two Dimensional Patterns from Islamic Art.
        PhD thesis, New York University. University Microfilms, Ann Arbor.
    Bourgoin, J.
        1973. Arabic Geometrical Pattern and Design. Reprint. Dover, New York.
    Chorbachi, W.K.
        1989. "In the Tower of Babel: Beyond Symmetry in Islamic Design," Computers Math. Appl.,
        17, pp. 751-789. [Repr. I. Hargittai, ed. Symmetry 2: Unifying Human Understanding.
        Pergamon, New York].
    Critchlow, Keith
        1976. Islamic Patterns. Reprint. Thames & Hudson, London.
    El-Said, Issam and Ayse Parman.
        1988. Geometric Concepts in Islamic Art. Reprint [1976]. Scorpion Publishing.
    El-Said, Issam
        1993. Islamic Art and Architecture: The System of Geometric Design. Garnet Publishing, UK.
    Grunbaum, Branko and G.C. Shepherd
        1993. "Interlace Patterns in Islamic and Moorish Art," in The Visual Mind: Art and
        Mathematics, ed. Michele Emmer. Pp. 147-155. The MIT Press, Cambridge, MA and London.
    Grunbaum, B., Z. Grunbaum, and G.C. Shepherd
        1986. "Symmetry in Moorish and Other Ornaments," Computers Math. Appl., 12B, pp.
        641-653. [Repr. I. Hargittai, ed. Symmetry: Unifying Human Understanding. Pergamon, NY,
        1986].
    Humbert, C.
        1980. Islamic Ornamental Design. Hastings House, New York.
    Makovicky, E. and M. Makovicky
        1977. "Arabic Geometric Patterns -- A Treasury for Crystallographic Teaching," Jarbuch für
        Mineralogie Monatstefte, no. 2, pp. 58-68.
    Necipoglu, Gulru
        1995. The Topkapi Scroll --Geometry and Ornament in Islamic Architecture. Getty Trust
        Publications, Santa Monica, CA.
    Wade, D.
        1976. Pattern in Islamic Art. Overlook Press, Woodstock, NY.
    Wilson, Eva
        1988. Islamic Designs for Artists and Craftspeople. Reprint. Dover and the British Museum,
        London and New York.
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Public Math and Physics Bibliography
 
 

    Abbott, Edwin A.
        1992. Flatland -- A Romance of Many Dimensions. Dover Publications, New York [first
        published in 1884].
    Delvin, Keith
        1994. Mathematics: The Science of Patterns. Scientific American Library.
    Joseph, George Gheverghese
        1991. The Crest of the Peacock: Non-European Roots of Mathematics. Penguin Books, New
        York and London.
    Lightman, Alan
        1993. Einstein's Dreams. Pantheon Books, New York.
    Ohanian, Susan
        1992. Garbage Pizza Patchwork Quilts and Math Magic. W.H. Freeman and Company, New
        York.
    Pappas, Theoni
        1989. The Joy of Mathematics: Discovering Mathematics All Around You. Wide World
        Publishing/Tetra, San Carlos, CA. Rev. Ed.
    Paulos, John Allen
        1992. Beyond Numeracy. Vintage Books, New York.
        1989. Innumeracy: Mathematical Illiteracy and Its Consequences. Farrar, Straus & Giroux.
    Row, T. Sundara
        1966. Geometric Exercises in Paper Folding. Dover Publications, New York [1905].
    Shlain, Leonard
        1991. Art & Physics: Parallel Visions in Space, Time & Light. Quill, William Morrow, New
        York.
    Stewart, Ian and Martin Golubitsky
        1992. Fearful Symmetry. Is God a Geometer? Penguin Books, New York and London.
    Tobias, Sheila
        1993. Overcoming Math Anxiety. W.W. Norton & Company, New York and London. Rev. Ed.

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